As I go deeper into the dream and the world becomes less logical, I paradoxically feel more constricted, not less. I’m moving from segmented level to level trying to figure out what the game wants me to do, instead of having fun with everything that I’ve been shown is possible.

This often makes Superliminal feel like Portal. You can’t make everything bigger or smaller, and there are doors every so often that block you from bringing your useful soda cans, exit signs, or chess pieces into the next level. The problem is that Superliminal isn’t a sandbox it’s a puzzle game. It feels like a magic trick, but one that I control. I spend my first hour or so with the game making boxes bigger and then smaller again while chuckling to myself. The key mechanicĮverything comes down to the idea of tampering with reality through the use of perspective, which is legitimately very neat. It sounds soothing, right up until it becomes clear that something, somewhere, has gone wrong, and I’m stuck inside a dream that very quickly begins to feel like a nightmare. I don’t know who I am, but I’m clearly here to test a program and learn something in the process. You see, I’m in a therapy session conducted via dreams. It’s not about what’s real, it’s about what looks real. Portraits, seen in the right way, can become doorways to another environment. I can pick it up as if it were a physical object, and now it’s in my hands. If I stand just right, the block looks real. Later, I find an orange block painted on the walls. This is the key mechanic of Superliminal. However, when I turn and place the soda at the end of the hall, I’ve played a clever trick I can now walk towards the soda can to find its grown to a massive size. When I hold the soda in my hands, it’s quite small. I stand in the hallway of a quiet medical facility, and grab a can of soda from a vending machine. Superliminal is a puzzle game in which perception is reality.

Apple puzzle superliminal